Front: Tight view of the alien Attacker, recovered by the U.S. Air Force and studied in Area 51 (production painting by Tom Lay). "We thought it would be a great idea to revive the disaster genre of the seventies," comments producer/co-writer Dean Devlin, "but we knew we had to put a new twist on it, so in this film, we use an alien invasion as a way of creating a worldwide, international disaster."
Above: A close view of the fill-scale alien Attacker, housed in the hangar of Area 51.
* Source: Back of Card